Emna Houichi, Final project blog

  After The Wake   This is the most current version of the rough draft we have for our film. First, I would like to address the concern that at the 180-degree turn of the car you can see me in the window so we will have to reshoot that scene. Next, we are going to ensure the color for all the outdoor scenes have a sunset vibe, so it better matches up with the time frame. Hopefully I can make the transition from looking at character A outside then to looking at her silhouette smoother . Also, I want to try to re film the empaths on the hallway and outside door scene and turn them into a dolly zoom. The thing I am most worried about is that we have yet to figure out how we will execute the green screen issue and it is a big factor for the ending of the film. We still need to add in more opening credits to make sure credits are given where they are deserved. Some of the shots could be stabilized to make the film seem more professional. The sound seems good we have both of...

  As of February 19th, I have completed the production portion of the film making process and have  begun post-production. All filming was completed February 6th, but my group accounted for possible  reshoots on February 25th. We decided to schedule possible reshoots to be during the beginning stages  of post-production, so I can catch any missing shots or amendments that need to be made. And upon  previewing our takes I have realized we are missing a first person shot of the hallway. We decided that  the scene was deemed unnecessary therefore while we won't be reshooting this screen, we will be  reshooting others.  Such as the 180-degree car seen, we later realized that you could see me the camera  man in the glare of the window. When we filmed, we captured 140 videos, most of which were taken  that will not be used in the final cut. Me and Adrianna Molina have spent time sorting through the  videos to find the shots we want to use...

  1. Storyboard Final Draft 2. Cast/Crew List and Production Schedule   Produced By: Adrianna Molina, Olivia Wymer, and Emna Houichi  Directed By: Adrianna Molina, Emna Houichi, Olivia Wymer  Screenplay: Emna Houichi, Adrianna Molina  Co-screenplay: Olivia Wymer  Cassy (Lead): Adrianna Molina  Cinematography: Adrianna Molina, Emna Houichi, Olivia Wymer  Sound Supervisor/Crew: Olivia Wymer  Editing: Adrianna Molina, Emna Houichi  Production design: Adrianna Molina, Emna Houichi, Olivia Wymer  Storyboard: Adrianna Molina  Camera Crew: Olivia Wymer, Emna Houichi  Lighting Crew: Olivia Wymer, Emna Houichi  Properties Master: Emna Houichi  Set Dressing: Emna Houichi  Costume Design: Adrianna Molina  3. Script Final Draft 25 Beginning  Set in the driveway of a suburban house and inside Cassy’s car.  Mid Shot  The film opens with a shot of a car windshield from the outside. The glass is dark but...

  1. Please write about what materials you feel you are going to need for your project (what you are using as a camera, props, costumes, etc.). Please be as detailed as possible with what materials/equipment you are planning on using and how you plan on getting them if you do not have them, provide pictures as well.      For our project we only have one actor, and we want them to look casual, so they will wear jeans, and a long-sleeved black shirt. Our actor will not be wearing any makeup and will have their hair pulled back in a down ponytail. Through the hair and costume, we will be trying to convey the emotional state of the main character . Then in a attempt to fill out the world we will be adding s ome props around the character . Such as putting a black envelope in the passenger seat of the car that had the word “condolences”. With this we are trying to give the effect that someone the main charter knew dies recently and they are currently at that person...